DES is updating the drinking fountain for the 21st century. So we are thrilled that Dixon, a beauty of a drinking fountain designed by Mirrl of Glasgow is on show at Vitra Design Museum in Germany. Susanna Beaumont reports.
‘We are totally thrilled to see Dixon installed in the grounds of Vitra. I have always been a huge fan of Vitra so to see Dixon’s sharp angles echoed in the Frank Gehry designed museum is awesome. And of course as part of Plastic: Remaking our World, it is brilliant that our drinking fountain is celebrating fresh & clean & free water & offering an alternative to buying plastic bottled water.’
Simon Harlow of Mirrl.
It was two years ago that DES approached Mirrl to discuss the possibilities of working together on developing a drinking fountain. We believed that in small way a new kind of drinking fountain could change our drinking habits. Mirrl had exhibited at both DES 2018 & DES 2019, so their inventiveness, openness to collaboration & overall enthusiasm was well-known! And of course with rising concerns about single-use plastic bottles, they too thought time was more than ripe to revive the drinking fountain & to make clean water more freely available in public places. In short, both Mirrl & DES wanted to help kick the habit of the last 30 years or so: spending good money on water that is drunk in minutes but wrapped in plastic that will survive for centuries.
‘The real joy for us was having the freedom of time to properly explore and interrogate the idea of the drinking fountain and its development until we have reached a point we are really satisfied with and an object we are really proud of. We really hope that it can be adopted by councils, institutions, festivals, clubs and individuals alike and really help make a significant impact on reducing further plastic waste.’
Simon Harlow of Mirrl.
Last year the spanking-new drinking fountain was installed in London’s South Kensington as part of DES’s debut at London Design Festival | Brompton Design District. Sited outside South Kensington tube, a hop & a skip from the V&A, Dixon without a doubt cut a dash. It remained in place until February this year before travelling on to Vitra, as part of Plastic: Remaking Our World, an exhibition co-curated by Vitra, V&A Dundee & MAAT in Lisbon. The exhibition explores the challenges of plastic – arguably an indispensable material that we produce in abundance but when ‘thrown away’ simply pollutes the earth. Plastic runs at Vitra until 4 September, it will travel on to V&A Dundee, opening on the 29 October then onwards to Lisbon in 2023.
As to the actual design, Simon declares it was ‘staring me in the face, a tap is a universal visual symbol that is understood to mean a water supply and its shape is no accident. The curving shape of a tap is the most effective way of pushing water upwards from its supply, downwards into, say a sink or a water bottle. A curve is much simpler to produce than three jointed components.’ Harlow’s design was also shaped by what he describes as the ‘pragmatism of the Dutch de Stijl movement, an early 20th century design movement that advocated simplicity over the decorative. ‘It was a visit to the Rietvald Schroder House in Utrecht, designed by the Dutch architect Gerrit Rietvald in 1924, that really confirmed my belief in strong lines.’
Once a common sight across the country, drinking fountains were a generous and civic celebration of free and clean drinking water. They were invariably beautifully crafted, frequently flamboyant & eye-catching affairs.
Yet many of today’s new breed of drinking fountain and top-up tap are mundane and near-invisible creations. So Design Exhibition Scotland is bucking the trend and working with designers, artists & manufacturers to develop drinking fountains for both indoors and out . . fountains that are brilliantly designed, catch the eye & celebrate free & clean water!
Mirrl of Glasgow was founded in 2018 by Glasgow School of Art graduates, Simon Harlow & Lewis Harley. Ever adventurous explorers of new materials, Harlow & Harley have developed a new surface material, a beautifully robust resin finish, that they have called mirrl. And they leapt at the opportunity to become fountaineers. DES developed a brief & secured financial support from Scottish Enterprise. We teamed up with Neptune Fabrications, metalworkers of distinction from Ibrox in Glasgow, and over a period of months batted back & forth ideas. We wanted a prototype fountain that could be installed temporarily, for say festivals or permanently outdoors or inside. Carefully considering accessibility, form and function and the importance of catching-the-eye and adding the well-designed to our everyday landscape, Mirrl have developed a prototype fountain, clad in their beautiful yet robust new surface material, mirrl.
And thanks to Glasgow’s events producer inhouse who manage events in Queen’s Park in Glasgow’s Southside, Dixon was trialled in the park. Installed by Simon Harlow & Lewis Harley, it’s plumbed in directly to mains water, so the water supply is cool, clean & fresh. And what we are now keen to know is what you think – do you like it, would you use it? As Dixon is still in its prototype stage, Mirrl are continuing to fine-tune its design. So go see it if you can . . do you like how it looks, is it easy & clear to use, do you feel comfortable using it? And do get in touch with any feedback — please email Susanna Beaumont.
‘It’s a new departure for us’ explains Simon Harlow, ‘and the first time Mirrl has collaborated with Neptune Fabrications. It was Jim Whitelaw, Neptune’s founder who researched and developed the internal mechanisms thinking about ease of installation, maintenance, hygiene, effective means of production at a high level and technical efficiency & proficiency.’
As to why the fountain is named Dixon, Simon explains: ‘I thought of various watery names but settled on Dixon as homage to Dixon Avenue in Govanhill where Mirrl has its workshop. The avenue is named after William Dixon, an industrialist who founded the Govanhill Ironworks in the early 19th century. The countless furnaces became known as ‘Dixon’s blazes’ as they burned and glowed day and night to feed industry with iron and steel. It is also the place where the company Allscot has been based since the 1970’s. We’ve been buying our polyester and fibreglass from them for the last 15 years. So Mirrl originates in material form from there.’
Drinking fountains are fast becoming a passion for DES . . .
Drinking fountains are fast becoming a passion for DES. For last year’s Design Exhibition Scotland, we invited artist Tania Kovats and Laura Aldridge and James Rigler of Bad Furniture, to develop and design a series of fountains that responded to a brief that invited a sense of adventure. Tania Kovats has long charted rivers, seas and oceans through drawing, text and sculpture. For her 2014 exhibition, Oceans at The Fruitmarket Gallery, she presented flasks of water collected from the oceans of the world; and her installation at Jupiter Artland, entitled Rivers, saw her install in a boat house, water drawn from Britain’s rivers.
WELL is her first drinking fountain. Circular and free-standing, a specially-conceived interior structure is covered with hand-made tin-glazed earthenware tiles, each hand-painted by Kovats. Loading her paint brush with blue cobalt paint, Kovats led the brush across each tile, leaving in its wake a flow of watery blue colour. Some tiles are darker and more densely filled with colour, on others the lines of paint are finer, the watery liquid having ‘pooled’. Reminiscent of ink blots, tidelines and horizons, Kovats suggests both watery depths and the warm shallows.
And we are delighted to say that the UK Government Art Collection have acquired WELL and that Tania is now designing a further drinking fountain. She has been commissioned by The Fruitmarket Gallery to create a site-specific fountain for their revitalised and extended new space, in Edinburgh which will open in July 2021.
Bad Furniture is the collaborative practice of Glasgow-based artists Laura Aldridge and James Rigler. Their Proposal for a drinking fountain (indoors) combines the playful and the pragmatic. A central ceramic circle signals the water’s source, its dimensions allowing water bottles to be easily filled. The backdrop is sheet aluminium, heralding the fountain’s presence and creating a beautiful sculptural and eye-catching form. The image of cavorting individuals is from a woodcut entitled The Fountain of Youth, 1536 by the German artist, H S Beham.
Their Proposal for a drinking fountain (outside) again catches the eye with a botanical drawing printed on to the fountain’s aluminium backdrop. The fountain is linked directly by a pipe to mains water. Fresh cool water is then released by pressing a small button and delivered via a spout set within the orange ceramic circle. On the ground sits a semi-circular drinking trough for thirsty dogs.
Photography Johnny Barrington | Ruth Clark | Andy Stagg